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Following a whirlwind 2009, synth masters Delphic show absolutely no sign of letting up. With the release of critically acclaimed debut Acolyte already stamped down as an early achievement...
San Francisco superband, Still Flyin' have joyously bounded a long way since their joke fuelled dub and reggae infused early development. Their complete refusal to reflect the dark mood of the moment infecting the world...
After a three year hiatus, New York's Shy Child are returning in 2010 with a sound that's more lush, dense, intoxicating, and surprising than ever...
Listing his influences as Benga, Loefah and Skream amongst others, Slof Man makes no apologies for jumping on the Dubstep bandwagon. Despite entering the scene very late, Slof-Man has...
As one of the first signings of Nylon Records in New York, the Parisian all-girl guitar-wielding group Plasticines are back with their sound expanding sophomore record this year. The rock’n’roll of their former effort still exists...
The Noughties are over and we have to say goodbye to the first decade of the Millennium. It is a shame because there was many zeitgeist breaking moments in the decade in the music world. The irony then, that 2009 was a pretty nondescript year, is not lost...
I don’t know about you, but I’m sick and tired of seeing television programmes lamenting what a piss poor decade the so-called ‘noughties’ have been. I mean, a decade is just a period of time definable by the fact that it spans exactly ten years...
The Bronx are a fracture in the all-too-often structured world of music. They’re true artists and visionaries. They’re the originality in a busy underground genre and yet despite coming up with some of the most relevant punk music over the past seven years...
James Chapman aka Maps staged a live comeback in support of his 2nd studio album ‘Turning The Mind’ at London’s Cargo during his UK wide autumn tour. This was his opportunity to showcase his new musical offering, and demonstrate the new direction...
Long awaited, much sought after and highly anticipated, Nirvana: Live At Reading delivers on every single bit of it's hype. Recorded at what proved to be their final UK performance in 1992, it acts as a perfect showcase of the band Nirvana were...
After the indie-rave success of debut album ‘Music for an Accelerated Culture’, Leeds-based Hadouken! are back with a UK tour and a new album and maybe even a new musical direction, with new album being produced by Drum & Bass heavyweight Noisia...
Having supported the now disbanded Oasis, off with possibly the biggest band around, Kasabian, in early November, and on a headline tour of their own, Reverend and The Makers are, to say the least, living the rock and roll lifestyle...
Tonight is a gathering of the freshest names in UK Urban Music. A gathering of old school legends. A gathering of their celebrity fans. A celebration of the rise and strength of the UK urban music scene, giving artists the stage on which to perform and the recognition they deserve...
The Eastpak Antidote Tour is currently shredding itís way through Europe, with headliners Alexisonfire and support coming from Anti-Flag, Four Years Strong and The Ghost Of A Thousand. We caught up with Tom Lacey, singer for TGOAT for a chat...
Music lovers united for a good cause at The Monarch in Camden last Wednesday. The event, hosted by Chandrasonic of Asian Dub Foundation, was the launch party of music charity FairTunes...
I meet the Little Comets in a very steamy dressing room at the Shepherds Bush Empire. Lead singer Rob has just showered leaving the humidity in the room somewhere around Amazon rainforest. The guys don’t seem to notice this as they banter amongst themselves...
Bedroom producer come Mute Records pioneering electronic artist James Chapman, has come a significantly long way since the days of his 4-track recorder and shoegazing former offerings. Well, a Mercury Music nomination and critically successful debut album can do that for a person...
I have a rather bad habit of discovering a new artist, buying one of their records, promptly falling in love and then absorbing the rest of their back catalogue in the space of a week. It’s a bad habit. It’s gorging. It causes indigestion...Lovefoxxx : The Interview

Where: The Nation of Shopkeepers, Leeds
They’re tired, but are by no means tired of being sexy, São Paulo’s quintet CSS synth-driven melodies have sparked a flourishing career and the best is yet to come....
It is the widely anticipated club opening of the indie haven that is “The Nation of Shopkeepers” in Leeds, and they have somehow scored CSS beauty Lovefoxxx, reviving old school hits like Princess Superstar’s ‘Bad Babysitter’, and Bronski Beats’ 'Small Town Boy'. Her set was a satisfying surprise. What she lacked in pretentiousness she gained in originality, playing a set of extreme pop songs, riot girrrl pleasers and electro hits that set the club opening off to a good start. We caught up with her after her set and got down to business, probing her about possible solo careers with Kathy Griffin, thieving managers and pottery.
“Back to what I was saying,” says Lovefoxxx, “I was like what part of holiday do you not get? We are taking a holiday!!!” A recent magazine article irritated the CSS front woman by inaccurately insinuating she was ‘stepping away from band life’ and was ‘banning herself from music.’ “I’m really angry, it upset me, and we had our Japanese fans emailing us asking if our tour dates were cancelled because of it. I was like ‘No, were still touring we’re just taking a holiday’”.
It is indisputable that CSS are well overdue a ‘holiday’ after a three year stint of touring since Cansei de Ser Sexy. Hopping from Holiday Inns to Ibises, they worked to clear debts after the revelation that their band fees were being paid straight into their managers account. It hasn’t been an easy ride in the becoming of Brazil’s most successful pop group. In talking about their worldwide accomplishment we took this moment to ask about Brazil’s music scene. “I feel sorry for Brazilian bands, I’ve been listening to some really good Brazilian bands but it’s just none of them get a chance. Riot grrrl is huge in the underground scene in Brazil.” It seems as though CSS’s international success is uncharacteristic of the underground Brazilian music scene which harbours mainly American Rock bands such as Sleater-Kinney (who were also on Sub Pop Records), Le Tigre and Bikini Kill.
With two albums under their belt, CSS are using 2009 to reflect on mistakes made on sophomore record Donkey, “we wrote it just thinking about the live shows and how it would sound good live; personally Donkey is my favourite album but I think the press and fans have different ideas”. Donkey took a conspicuously different turn from Cansei de Ser Sexy, moving on from the foul-mouthed lyrics of ‘Art Bitch’, CSS streamlined their way to a somewhat tamed version of dance rock sounding their more recent obsessions with the likes of John Walters. Donkey evolved their previously chaotic sound into a sensation of new synths, dance beats and 1980s influenced dance rock. Furthermore it exhibited a more personal take on lyrics, so it doesn’t take much figuring to identify that CSS’s lyrics render bitter stories of their ex-managers betrayal, ‘I realise that you’ve been lying and no matter how hard I try/I won’t be able to forget this..’. With art tits and art holes behind them we can expect a fresh new sound from CSS in 2010, “This time we are going to be more experimental, we are having fun this year, and the more fun we have, the more fun the songs will be”.
For Lovefoxx this year is all about having fun. She has ditched her array of cat-suits (thirty to be exact) for new experiences, “I’m taking pottery classes now and I’m going to the gym. I’m actually quite bored. I have all this time and Simon is so busy”. When asked if we can expect to see Lovefoxxx in a wedding dress, with regret she explained, “No, not this year, its funny last year I was so busy, and Simon was at home. Now I’m sat at home doing nothing and Simon is so busy with the new record”. (Klaxons recently played their first show in a while at Coventry’s Kasbah). So no wedding bells or new material from CSS in 2009, but we can expect to see Lovefoxxx embarking on other projects. She has spent the last few weeks customising a Gibson guitar for a charity auction, in aid of ‘Action for Brazil’s children.’
While she isn’t decorating guitars with glitter, she has also been djing solo across the globe. Could this be the unveiling of Lovefoxxx’s solo career? Afraid not, though she has been doing a lot of solo appearances recently, Lovefoxxx rocking the cat-suits and sequins on her lonesome is out of the question, “When I’m djing I miss the guys, I feel lonely, it’s not as fun, we have so much fun on tour.” When we tempted her with a chance solo career with Kathy Griffin she charismatically answers, “Well if any of those Divas wanted to then yes!” At this she bursts out laughing and we go into a whimsical conversation consisting of every Kathy Griffin ‘Suck it’ quote we can think of.
In clearing that up, it is obvious that CSS are on holiday, and are by no means ditching the music. An album is rumoured for release in the early fall of 2010, so CSS-obsessives do not fret, their quirky DIY musical antics (and cat-suits) will be making a return quicker than you can say ‘Acho um pouco bom’.
Summer dates 2009:
16 Jul 2009 - Casa Music Festival, Place Rachidi, Casablanca
8 Aug 2009 - Summersonic, Marine Stadium, Tokyo
9 Aug 2009 - Summersonic, Maishima, Osaka
Relevant websites:
www.myspace.com/canseidesersexy
www.forceofthestreet.com/blog/?p=111
www.csshurtssuxxx.blogspot.com/
Words: Holly Lauren Vennell
Posts: 1
Reply #1 on : Fri June 19, 2009, 17:04:55